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<title>Yesterday on TV</title><link>https://www.yesterdayontv.com/en/</link>
<description>Film, television and audiovisual memory — every screen, every era, every format.</description><language>en</language>
<lastBuildDate>Thu, 16 Jul 2026 09:00:00 GMT</lastBuildDate>
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<item><title>Streaming discovers the value of the archive</title><link>https://www.yesterdayontv.com/en/articles/streaming-discovers-the-value-of-the-archive.html</link>
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<description>Shrinking catalogues, works removed for accounting reasons and an audience buying discs again: the industry is relearning, reluctantly, that an archive is an asset.</description></item>
<item><title>In defence of physical media</title><link>https://www.yesterdayontv.com/en/articles/in-defence-of-physical-media.html</link>
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<description>Streaming is access; a disc is ownership. A manifesto for the right to keep the films we love — on VHS, DVD, Blu-ray or vinyl.</description></item>
<item><title>Parasite: the staircase as destiny</title><link>https://www.yesterdayontv.com/en/reviews/parasite.html</link>
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<description>Bong Joon-ho’s satire climbs and descends between two families, and nobody comes out unscathed — least of all the audience.</description></item>
<item><title>4K UHD and the second life of the classics</title><link>https://www.yesterdayontv.com/en/articles/4k-and-the-second-life-of-the-classics.html</link>
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<description>Scanning the original negative at high resolution is not videophile luxury: it is the chance to see films of 50 or 80 years ago as not even cinemas of the day could show them.</description></item>
<item><title>Breaking Bad: the chemistry of tragedy</title><link>https://www.yesterdayontv.com/en/reviews/breaking-bad.html</link>
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<description>Five seasons, a single equation: what happens when an ordinary man decides he deserves more. The answer is still the most rigorous series in modern television.</description></item>
<item><title>Twin Peaks and the television that learned to dream</title><link>https://www.yesterdayontv.com/en/articles/twin-peaks-and-the-tv-that-learned-to-dream.html</link>
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<description>In 1990 a single question — who killed Laura Palmer? — took auteur cinema into prime time and opened the door every prestige series has walked through since.</description></item>
<item><title>Central Station, 28 years later</title><link>https://www.yesterdayontv.com/en/articles/central-station-28-years-later.html</link>
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<description>The film that gave the Retomada its face is still the most generous portrait of a country in transit — and proof that Brazilian cinema knows how to come back.</description></item>
<item><title>Vertigo: love as free fall</title><link>https://www.yesterdayontv.com/en/reviews/vertigo.html</link>
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<description>Hitchcock’s most personal film is a magic trick in reverse: it reveals the secret halfway through and still leaves us with no ground under our feet.</description></item>
<item><title>Bernard Herrmann, architect of vertigo</title><link>https://www.yesterdayontv.com/en/articles/bernard-herrmann-architect-of-vertigo.html</link>
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<description>From Citizen Kane to Taxi Driver, by way of the fifth dimension: how an irascible composer taught film music to think.</description></item>
<item><title>An odyssey made by hand</title><link>https://www.yesterdayontv.com/en/articles/an-odyssey-made-by-hand.html</link>
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<description>With no computer graphics, 2001 built outer space with a rotating centrifuge, front projection and a watchmaker’s patience. Behind the scenes of a standard that still stands.</description></item>
<item><title>City of God: an armed childhood</title><link>https://www.yesterdayontv.com/en/reviews/city-of-god.html</link>
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<description>Two decades on, the film by Fernando Meirelles and Kátia Lund is still both a punch and a signature: a new form born of the urgency of its subject.</description></item>
<item><title>Hitchcock/Truffaut, the book that taught the world to watch</title><link>https://www.yesterdayontv.com/en/articles/hitchcock-truffaut-the-book-that-taught-the-world-to-watch.html</link>
<guid isPermaLink="true">https://www.yesterdayontv.com/en/articles/hitchcock-truffaut-the-book-that-taught-the-world-to-watch.html</guid><pubDate>Mon, 18 May 2026 09:00:00 GMT</pubDate>
<description>A week of conversation between two filmmakers became the most influential film manual ever published — and it is still the best way into the work of both.</description></item>
<item><title>Rod Serling against the sponsors</title><link>https://www.yesterdayontv.com/en/articles/rod-serling-against-the-sponsors.html</link>
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<description>American television in the 1950s let advertisers rewrite live drama. The revenge of one censored writer was called The Twilight Zone.</description></item>
<item><title>Metropolis and the 25 minutes that came back from Buenos Aires</title><link>https://www.yesterdayontv.com/en/articles/metropolis-and-the-25-minutes-from-buenos-aires.html</link>
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<description>For more than 80 years Fritz Lang’s film circulated mutilated. Until a print forgotten in an Argentine museum returned to the world what seemed lost for good.</description></item>
<item><title>The Twilight Zone: a conscience in black and white</title><link>https://www.yesterdayontv.com/en/reviews/the-twilight-zone.html</link>
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<description>Rod Serling’s anthology remains the supreme example of how half an hour of television can hold a perfect short story — and a conscience.</description></item>
<item><title>The backlands in four chapters</title><link>https://www.yesterdayontv.com/en/articles/the-backlands-in-four-chapters.html</link>
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<description>In January 1999, A Dog’s Will proved that Brazilian television could film popular literature with the grammar of cinema — and become a classroom classic.</description></item>
<item><title>A conservation guide: tape, disc and paper</title><link>https://www.yesterdayontv.com/en/articles/a-collectors-conservation-guide.html</link>
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<description>Humidity, heat, light and haste are the four enemies of any home collection. A practical routine to make yours outlast the platforms.</description></item>
<item><title>The steps that taught cinema to edit</title><link>https://www.yesterdayontv.com/en/articles/the-steps-that-taught-cinema-to-edit.html</link>
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<description>A century on, the Odessa sequence in Battleship Potemkin is still the fundamental lesson in editing — quoted, copied and parodied without rest.</description></item>
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